Ganked from [livejournal.com profile] pocketlama, by way of [livejournal.com profile] debunkingwhite:

Rosie the Riveter

This colour photo was taken in 1943 at a Tennessee bomber factory, and has recently been released by the Library of Congress as part of their public domain photo release on Flickr.

'Rosie the Riveter' is such an iconic image for WWII, and this photo -- featuring a woman of colour in the role of 'Rosie' -- turns a previously "white" icon on her head.

I think it's stunningly beautiful. I especially love the painted nails and ring she's wearing while riveting.

From: [identity profile] porthos74.livejournal.com


I don't know how this would look on my computer at home, but here at work, the sheen of her skin versus the gradient reflection in the steel is visual poetry. Most excellent.

Good eye, my boy! Many should be happy that you took the time to post this.

From: [identity profile] michaelwesttn.livejournal.com


I LOVE THIS photo I saw it at the Frist awhile back and snagged it with my camera phone...it was my wallpaper for the longest time...i love it!

From: [identity profile] orsijitur.livejournal.com


  About the time I get ready to make a post, the phone rings, or my camera battery quits, or I can't find my camera at all.

From: [identity profile] ralphmcinvale.livejournal.com


[The Purcell Cutts] home is truly a masterpiece that deserves to be shared. I am so impressed with this exhibit and computer tour.

From: [identity profile] that-dang-otter.livejournal.com


Huh, at first glance I figured she was the "real" Rosie. That she was black, I didn't even notice.

From: [identity profile] racheloduce.livejournal.com


There were old people she didn't know, and even older people she was sure she'd never even heard of.

From: [identity profile] leighton.livejournal.com


The differently-worded BB post tries to skew the "herstory" of the "real" Rosie actually being African-American:

"It turns that WWII icon, 'Rosie the Riveter,' on her head, by presenting her as she really was: African-American. "

The model for the posters was from Ypsilanti, MI. Though the town and workforce is/ was very racially mixed, the actual model wasn't "really" African-American. The 1950's propaganda of the time was biased towards with the Kentucky transplant's pigment, but there really were a lot of white ladies working on (and flying) planes back then too.


From: [identity profile] arador.livejournal.com


This photograph was in my history textbook back when I was in high school, I think. It looks really really really familiar.

From: [identity profile] sydneygobble.livejournal.com


I can look across at my work desk and look at five textbooks printed between and that would be excellent candidates for reprinting.

From: [identity profile] kadyg.livejournal.com


You know, I never thought of Rosie as a "white" icon, but as a female icon. Still, a really beautiful photo, thanks for posting it and congrats on the boingboing mention.

From: [identity profile] jessicaxihod.livejournal.com


If you do this great job also to all female cartoons icons, you gonna make history. Congratulations April PM Mr Darcy said.

From: [identity profile] kirstyforry.livejournal.com


* You cannot make a living being a cartoonist. Furthermore, if you try you will have to torture small animals to pay your student loans.

From: [identity profile] angelamytes.livejournal.com


If you do this great job also to all female cartoons icons, you gonna make history. Congratulations April PM Mr Darcy said.
.

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